12.) The Down Home Boys / Original Stack O’ Lee Blues * Little Harvey Hull / Long “Cleve” Reed * The Stuff That Dreams Are Made Of
Along with lone mavericks like Lee de Forest and his friends were collectors, people who spent their time reading about and purchasing rare records. For these folks, a unknown 78 was just as important as the legendary statue that Bogart was talking about when he uttered the phrase that became title of this compilation. But there’s an irony to its use in the movie that the people behind this compilation probably shouldn’t have allowed to be associated with their album: the falcon, of course, was a fake, and Sam Spade delivered the line ironically when a cop asked what the fake statue was all about.
The plot thickens, as The Stuff That Dreams Are Made Of claims to contain “previously unissued” recordings of music from the 20s and 30s, an allegation that ironically didn’t pan out too well for Yazoo Records in the long run, though in the wake of O Brother Where Art Thou? becoming a global phenomenon, netted them a few dollars. While the pairing of R. Crumb artwork with Richard Nevins liner notes is supposed to drive home the authenticity of these songs, among collectors it is clear that a few of these cuts have made their way to the public before, and perhaps only a handful were “unissued” in any meaningful sense of that word. The claim that some are mastered from unheard test pressings seems, at this late date, to be incredibly unlikely, but nonetheless, The Stuff that Dreams Are Made Of persists as a collection for beginners.
Keep in mind, this was 2006, and the Inter-Web-A-Tron wasn’t as comprehensive as it has become. Old Timey Music was starting to become incredibly popular among the NPR crowd, no longer the realm of people who lived and breathed these recordings. But for new fans, you couldn’t just Lycos “Little Harvey Hull” any easier than you can now, and even still, the information is spotty. Without the deep knowledge of these collectors helping guide you in this largely forgotten world, it is easy enough to end up like Kasper Gutman and Wilmer, tricked by something that looks and sounds like the original, but is not. This does not mean that the fake has no value; in the case of The Maltese Falcon, prop collectors now shell out insane amounts of cash to own a replica that was meant to represent a fake. In the case of this collection, at least there is some great music on it, and the value of a good song – even one you’ve heard before – cannot be underestimated.
Starting here I begin my run of Lee de Forest songs, one of the bit-players in the story of Radio. This original tune has origins that lie in the deep forgotten past, but the “Stack ‘o’ Lee Blues” has taken a number of forms, contemporaneously to the release of this recording, as well as in the misheard forms of “Stagger Lee” in the years since. The beauty of these tunes is that they are reinterpreted by artists endlessly, creating a sort of ‘Song For Any Occasion.’ Considering that both the Lee of this song and Lee de Forest himself shared some of the same qualities, it not only seemed appropriate, but essential.