Three-Way Split!

It’s a new release for the spring, with new music from all your favorite Experimental Artists.

Three new tunes by Bast Awakening! (Ellen & Chris)

A new jam by DEATH MUTATIONS. (Chris & Myself)

…and…?

Over an hour of new music, and it can only be yours, easily, if you want it. Not available for download (yet), if you must have this, you’ll also need a CD Player.

Hand made music! Discs assembled and duplicated, with covers cut / folded / stapled by hand! Limited to 50 copies! Reversible covers allow you too present this disc in four different ways!

It’s the WTBC Three-Way Split! Get yours today!

Settle Your Debts

Settle Your Debts

The Ides of March was upon us, and rather than cower in fear – which seems to have been what we should have done – The Olsen Twins Ghostlight Ensemble convened for a Sunday morning recording session that just so happened to tickle our fancy. Hopefully, you enjoy this one, too.

This arrangement includes: Scott Eave (Guitar, Woodwinds), Kevin Van Walk (Drums) & Austin Rich (Ronald’s Luggage / Electronics / Synths).

The Lava Lamp Lounge has been a nice room to host a number of folks, and this particular arrangement is very nice. It sounds good, and I think we play well in this space. And this might be the primary way you hear us from now on, so we’ll continue to iron on the way we present these to you. Maybe we can improve the camera stuff in the future? Hard to say.

Perhaps you can pick up this recording, and help keep us in new strings and cables? It’s really our primary expense, and we want to keep bringing this to you, somehow.

Mental Health Improvement Diary

I did some backing up.

And something thinking.

I watched a movie with Marla that we both knew pretty well. On the whole, it was pretty casual.

I spent the day making merch. It’s looking good. You want one?  Message me. There’s a limited quantity, and I want the people who will like this to get it. It’s a three-way split CD, Bast Awakening (Ellen & Chirs), DEATH MUTATIONS (Chris & Myself) and Mini-Mutations. All the primary work is done. All that was left was the printing, disc duplicating, folding, and assembling.

And, of course, thinking about how I want things to look, and where I want things to be, in the future.

 

T-Shirts Are Now Available For A Limited Time Only!

T-Shirts Are Now Available For A Limited Time Only!

Mini-Mutations Shirts

(Limited Quantities! S, M, L, XL or 3XL Still Available!)

The Olsen Twins Ghostlight Ensemble Shirts

(Limited Quantities! S, M, L, XL, 2XL or 3XL Still Available!)

100% Cotton. $20 Each. Until they are gone.

* * * * * *

In the 27 Years that I’ve been making ’zines and playing in bands, there have been painfully few t-shirts that were ever available to the public. So, it is with no small amount of fanfare that we are offering, for a limited time, a selection of copy- and trademark infringing shirts by Mini-Mutations and The Olsen Twins Ghostlight Ensemble, for the low-low price of $20 apiece. ($25 shipped.)


When these are sold out, there won’t be anymore. If we make more shirts in the future, they will not look like this. And who knows if that will happen again, to be honest? I’ve never sold shirts, so this is a bit of a gamble. And, there’s a limited quantity, too, to add another wrinkle to this puzzle.

These shirts are screen printed by hand, by our lovely friend Sarah Kindl, on 100% Cotton black shirts, in a fetching monochromatic arrangement that looks good on anyone, and shows your support for the kind of music you would like to discuss at parties. (And, in the case of the Twins shirts, will ensure a long conversation about the reference that will be lost on many in this day and age; the perfect gift for the aging hipster with a strange sense of humor!)

These will be available to buy at the end of February / Beginning of March. HOWEVER, for fans who cannot live without, you can pre-order these NOW, to ensure that you will have the shirt you want. 

I’ll be straight up: these shirts look great, I think you are gonna like them too, but there aren’t that many. If this is a success, then there might be more in the future… but not like these. Right now, this is a test. I believe in these. I think they are in the spirit of both projects, and I want these to get into the hands of people who like that stuff I do, like these designs, and: like t-shirts. 

Considering all of those factors, I am recommending you should reserve your shirt today. It’ll secure your shirt when they arrive, and it’ll help me weigh the possibilities of doing this again at some point in the future.

To make a reservation: e-mail austinrich@gmail.com with the subject line, “RESERVE MY T-SHIRT.” In the body of your e-mail, please specify the shirt you want; which project, and which size.

ACRONYM, Inc. T-Shirts, Now Available. 

Until They Are Gone.

Four Dimensional Nightmare – 4DN 2020 (Self-Released)

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Four Dimensional Nightmare – 4DN 2020 (Self-Released)

Reviewing the last decade of Four Dimensional Nightmare releases offers a wonderful glimpse, and incredible insight, into what they have accomplished on this most recent release, 4DN 2020. And even that narrow window into the career or this artist probably omits some of the more impressive, and compelling, work. But that does us no good if we are looking for an entry point into this album. To suggest that we should examine the scope and sweep of their career to fully understand what this album is about is akin to saying, “You need to see 23 movies before this one will make sense.” ­

Consider it this way: if you’ve been following their carrer for any length of time, then this album continues themes and tropes that you’ve been picking up on for a while, and certainly is rewarding in that respect.

But that doesn’t do a new listener much good, does it? To say that 4DN is continuing to explore places they hinted at in previous releases is not a decent map for someone about to enter into the kind of darkness predicted by track 5, a beat-driven track almost unlike anything else you’ve heard on a Nightmarish release like this. Layered over the industrial rhythms and strange dance jams are these synth explorations that beg for scrutiny and consideration, and that doesn’t even address the ebb-and-flow soundscape that eerily weaves through the various performances, almost hinting at a Haunted House. This is a dense track, not exactly a great entry point if you were hoping to be eased into this artist, but is perfect for getting to know the mind of Four Dimensional Nightmare.

“Beta Tonic” shakes with a low-end pulse that really caused my head to turn, another track I love, but I’m not sure if it is the way “into” the oeuvre of this artist. Certainly, you are better off trying to catch one of their rare performances, as that, I think, better lets you get a sense of where this stuff is coming from, and perhaps, how you can get in synch. But “Beta Tonic” builds in a way that feels like something new, and I was excited to let it have it’s way with me.

It’s with repeated listens that this album really shines. The hallmark of any Four Dimensional Nightmare album is certainly density. There are layers and layers on any given song on any given album, and there is a weight to a 4DN track that seems heavy with multiple, nuanced performances. You need to re-listen to really get a sense of what’s going on.

What feels new this time around is there is a clarity to the layering, either through careful production or higher quality facilities, that gives you a chance to focus on the different synth lines as they dance around each other. This is a great record for leaving in your car, so you have to return to it over and over again, without needing to change anything. Each time through, something else sticks out, and these bits that catch your attention give you something new to dig into.

The production seems unmistakably first class, and to my ear, this is a major evolution. It’s no wonder Four Dimensional Nightmare makes regular appearances on Mike Watt’s program, as this album illustrates the strengths and boons that are the hidden gems on every 4DN release.

Certainly, the nerdiness is worn on the sleeve of this group, and that is probably never more apparent than on the opening track, “Pi,” which contains some of the first lyrics I’ve heard on a release is years. This comes with the territory; someone playing around with this many synths for this long is bound to get wrapped up in some of the more science-informed subjects, as time goes on. But there are also moments of pure joy and frenzy, like on “Beta BonZyard,” where the ferocity of the Nightmare comes into sharp focus, only to have moments of almost beautiful sounds come forward out of the burbling chaos.

If anything, this is the work of someone who has been at it for a while, and this release not only highlights the expertise with which Four Dimensional Nightmare produces new work, but the repeated listenability of a record that is as experimental as the genre actually suggests.