Programming And Listening Changes For Our Radio Show.

(You can always get the current listening information for our programs on their respective websites: Mid-Valley Mutations and WTBC Radio In Beautiful Anywhere, Anywhen!)

******

1. That Was Then.

When I first started in radio in 1998, there were often scheduling changes that you just couldn’t announce to anyone short of calling them directly, or through putting up a flier. I used to advertise scheduling changes in my zine back then, and often, listeners didn’t really notice the change. The way radio works — both then and now — is that the LISTENER is choosing to turn on the radio when THEY want to listen. If I happen to be on the air, then that’s a lucky break for me. I’ll have to let the listener decide how they feel about the matter on their own. 

I relentlessly taped my show, on cassettes, and I offered edited copies of the show in my zine. I never sold one. When I got the technology to transfer tapes to CD, I digitized my shows, and offered them on CD. Again, never sold one. It wasn’t until the technology existed to post full radio recordings online — certainly a 2004 and later innovation for me — that there was any demand for my show in a form other than the original broadcast, and while I’m glad I recorded my shows for the sake of keeping an archive, in a lot of ways, those recordings are for me alone. 

Anymore, what people seem to want from my show are two separate and different things by two different groups of people:

The first group, they want a live, real-time radio-listening experience, that they can either tune in for or stream as it is happening. And this group of people is usually different than the group that wants a timely podcast episode to appear in a dependable (and regular) podcast feed. This change was almost immediate; I began to hear from two different kinds of listeners after I launched the podcast feed for my show in 2004, thanks to KPSU having adopted the technology for all their programs back then. And, for the most part, the live show and the podcast are the same; the latter is a recording of the former. I’m really just producing one show, and it’s being distributed in two different ways. It’s sort of like old school syndication, but I don’t have to deal with mailing CDs out to anyone. They can just subscribe digitally and enjoy.

All of that is a long way of saying that, since 1998, the distribution model for my radio show has changed so many times that I can’t even keep track of everything, save for the spare announcements I make about it on old episodes of my program. So announcing changes are nothing new, and, in fact, can help bring the show to new people at a time new listeners would appreciate jumping on. 

With all of that in mind, let me introduce you to the NEW broadcasting schedule that we will be working with, for the foreseeable future, and give you a small glimpse into what the next for radio broadcasts will contain.

2. This Is Now

Here’s when you can hear the show, now, primarily:

We are happy to return to the airwaves of KLFM.org in beautiful Split, Croatia! We have been syndicated on KLFM before, and we love working with them. So, beginning TOMORROW, you can hear our show on their station again. 

WEDNESDAYS: 3 PM – 5 PM PST (12 AM – 3 AM CET): You can listen to our show live!

This is an interesting time of day, as it is the end of the work day for people who work in offices on the West Coast, it is an early evening listen on the US East Coast, and is late night fare in Europe. (It’s EARLY morning fair for half of Asia, and wake-up / breakfast listening for the rest.) So, hopefully, people who enjoy experimental radio in those parts of the world will enjoy this program, humbly coming to you from Salem Oregon, by way of Croatia. 

As to not spoil those who want to tune in live and hear something new, the podcast will not drop until 3 PM PST. So, if you are the kind of person who listens to podcasts as they are released, you’ll hear it in tandem with the Live Listeners on KLFM. Or, you can enjoy it at your leisure, whenever. 

There is, however, a need for me to set aside a time to produce the show. And, as some people have become interested in this element of the show, there will be a special time, set aside, for true believers to enjoy the program before anyone else does, via a live streams on social media. We’re still in the beginning phases of testing this, and making sure that we can do this in a sustainable and manageable way. But I will be recording the shows at a scheduled time anyway, so I might as well right? Join me at:

SUNDAY MORNING, 8 AM to 10 AM PST on Social Media for a live streaming version of the show.

Since these streams are not for everyone, and require a certain amount of dedication to enjoy, they will be for those who want to really be a part of the show. I’m hoping to get interactive phone and Skype boxes added to the studio, so that people can get in on the old “Audience Participation” element of how I used to do radio. (Seldom used, but often mentioned when I was live.) However, that will require getting some new gear, which may take a while, so don’t be surprised if the show sounds a little “canned” for a while. Until we can get the new gear, we’ll do our best to deliver a low-tech version of the show that you can interact with in real-time, and someday, we’ll try to deliver a higher quality version.

Another point of order on scheduling: We will be producing a radio show every week, but if you tune in every week, you will hear two different programs: “Mid-Valley Mutations” on one week, and “WTBC Radio” on the other week. Both shows will be heard on KLFM.org during the aforementioned time-slot, but will be available in their own podcast feeds.

This gets at a problem that I’ve mentioned before: I love doing more than one radio show, and I have many ideas for many kinds of radio shows I want to do. But doing two weekly shows is a bit much for one person to handle, especially for someone who doesn’t get paid to do any of this. So, by changing the release schedule, and doing the “every other week” dance like this, I’m able to produce both shows, at a rate I can manage, and keep the quality at the same level it’s been at previously, which is important to me. So hopefully you don’t notice the shows dropping in quality, only in how often they come out. 

One final concern: KMUZ. I started “Mid-Valley Mutations” on KMUZ, in spite of the program having roots that go back to 1998. The new direction and name for my 20 year old show was a sort of a re-christening, as I attempted to pursue a vision that felt important to me. Out of the show that I grew at KMUZ, I developed Mini-Mutations, my musical act that has become another creative outlet that I value, and KMZU became a place where I could try and find my voice in a radio world that has many who say very little. KMUZ never censored the program, and never told me to change anything. They encouraged me to make the show I wanted. KMUZ made “Mid-Valley Mutations” possible, and as “Mid-Valley Mutations” moves on to continue finding itself, this is not because of any problem or issue with the place that helped grow us. In fact, I am developing a new program with them right now, which should be announced very soon. But recently I realized that “Mid-Valley Mutations” needed to grow a little more in order to become what it has always wanted to be, and that might need a place where I can go long or short if I need to , a place where the language restrictions might not be as tight, and a place where I can REALLY get experimental without fear of alienating the listener base that KMUZ has so carefully grown. So, this isn’t a parting of ways with animosity, or any negativity at all. I’m excited to find out how my new KMUZ show goes over. But “Mid-Valley Mutations” has gotten some wanderlust, and it needs to roam free in a way that KLFM is only happy to allow. I think, if I was to try and pursue these changes at KMUZ, it would really ruin the mood for everyone.

3. And What About Then?

With all of that said, here’s a tentative calendar of upcoming shows, for the listener who might want to get the feel for the every-other-week low-down, and who might be curious about the next couple of guests on WTBC. It’s exciting to not only have a schedule, but to have carved out blocks of time where I can get my radio done, and not feel like it’s always a rush.

Questions? Suggestions? You know who to call…

05 February: MVM #180
12 February: WTBC: Scot Jenerik
19 February: MVM #181
26 February: WTBC: Jeremy Hight
04 March: MVM #182
11 March: WTBC
18 March: MVM #183
25 March: WTBC

And so on…

Now We Are 20: Reflecting on Two Decades of Radio Life

The Beginning
(Originally broadcast on 15 April 1998 on KWVA.)

This was my first ever radio broadcast.   4 A.M. – 7 A.M. on KWVA.  What follows is a recreation, based on playlists, recordings, and memories from that evening.  This is an approximation of what it was like to listen to my show in those days.

Here’s the backstory: I have been obsessed since I was 10, when I got my own radio / cassette combo, and a box of tapes to go with it. (Plus a couple blank tapes.) Staying up, past my bedtime, listening to radio dramas (not called “Old Time Radio” among fans) and classic rock DJs as my pre-adolescent mind tried to wrap itself around all the things I was hearing. It stuck with me, as I started calling KZEL to request songs and chat with the DJ, my mom already working in that field herself. It was KZEL that broke grunge to me, my friends at school how suggested KRVM, and as alternative began to find it’s way to the sleepy town of Cottage Grove, I found myself wanting to break out of the confines, and find the world I was hearing through the radio.

Pump Up The Volume is sort of the nail in the coffin, isn’t it? Suggesting a winder world of radio and music that is not what you once thought it was. When I finally did burst out of Cottage Grove for Eugene, KWVA was the station we all huddled around, and you would hear it all over town, blasting out of coffee shops and front porch freak-outs. It was almost as instructive as the tapes Colin & kiisu would make for me, and this inevitably led to the Colin Mix tape that featured Negativland heavily. I connected with them, and copied my roommates’ albums immediately, to find that I loved this group. As I dug into them more, I had heard tale that they did a radio show, which sort of blew my mind. A band, that does a radio show? I love radio! I need to heard this!

By the time I was staying with Little Jon, I had not only come into recordings (through CDs and tapes friends would mail me), but our mutual friend Shane With No Last Name starting a morning mix show on KWVA. All of these vectors sort of coalesced, and I obsessively taped Shane’s show (and a lot of KWVA), anticipating each new entry into his “9 AM Slayer” segment, and getting to know the station in general.

I immediately filled out an application to become a DJ, and submitted it, only to wait for some time, not hearing a peep. I was a little discouraged, as it seemed like it had been so easy for Shane to get his show. I must have done something wrong. At the time I was still making ‘zines, so I focused my energy into that, until one day, several months later, when I was in the area and dropped into the station. I asked about my application, and there it was, in a pile of “to be read” applications. None of the staff had actually seen it yet. I hadn’t done anything wrong, and nothing sinister was afoot. The first rule of radio was learned: if you keep showing up, you’ll eventually get on the air.

It wasn’t long before I got a call back, and was asked to start out in the “beginner” slot. This is the dreaded 4 AM to 6 AM airtime (with a 3 AM to 3:30 AM “arrival” time). I took it, because I was 23 and full of energy and what was I gonna do with my time, anyway? This was the ’90’s, and everything was cheap. I was working part time jobs and living with roommates. Of course I’ll leave the bar, pick up some records, cruise on down to the radio station and DJ for a couple hours. What else am I going to do?

And so, on April 15th, 1998 (a Wednesday), I waltzed into the KWVA studio at 3 AM, and began a tradition that has now lasted me 20 years. Fortunately, these days, I don’t go in at 3 AM anymore.

In the time since I’ve been on at a number of stations here in Oregon, and 14 years ago we began podcasting, which has changed the game considerably. I’ve moved, changed the name, hosted up to three or four shows at once, and for years and years on end, hosted a weekly live band, too. (I’ve recorded somewhere around 300 radio performances in that time.) And if we roll the clock back to include the ‘zines and bands I’ve been in, and the live shows at venues I’ve put on too, and we’ve got 25 years of this nonsense I’ve been making, trying to carve out my own version of art in that time.

It’s a lot to process. But I’m entirely grateful for this career that I’ve managed to sort out for myself. Being on the radio for 20 years has not only given me a chance to figure out who I am and what I want, but has given me a creative outlet that really feels comfortable. When I set out to make a new radio show, it feels as exciting as it was to show up to KWVA 20 years ago, and have the station manager look me up and down, and say, “Okay, when I leave at four, you’re on. You’ve got the place to yourself. Don’t screw it up.”

Hopefully, I haven’t. Making radio has been incredibly rewarding, and I’ve met incredible people in that 20 years, who have all contributed to making this show possible, week after week. When I get discouraged, I return to radio. When I’m happy, I can say it in a show. Before I had this outlet I would make tapes, obsessively, sending them out to friends, trying to perfect the mix. While I keep redefining what that mix “is” as I get older, I have to say I’m fairly happy with the shows I’ve made over the years. It reflects who I am, and how I’ve changed. While the show that I pitched to KWVA – an Over The Edge clone – was not the show I ended up making, as the years progressed and as my tastes changed and evolved (and as I moved from station to station), the show I originally pitched became the show I do now, and you can hear that 20 year evolution if you’ve been along for the ride.

But that isn’t to say that my show wasn’t more conventional at times. I used to do an all 60’s Rock show. For a spell it was strictly punk. I went through a phase of just playing everything at once and hoping for the best, and then a full pre-planned and pre-produced phase, that sometimes felt that way, too. For years it was just live bands, and I even did a brief stint doing only progressive rock. My show is difficult to pin down because I don’t really want it to be any one thing, restricting it to a format of which I can then grow tired. But as the years wore on it was clear that I was gravitating more and more to something that was obviously influenced by Over The Edge, even though it did not start that way.

On April 15th, I was more than a little drunk, and the station manager actually left before it was officially 4 AM. (She had been called in suddenly to cover for the 2 AM – 4 AM gent, who suddenly didn’t show up.) And to make matters worse, the DJ after me didn’t show up either, so the Programming Director came in and relieved me. Most likely I was actually on from 3:45 to 6:50 (or something like that), but I didn’t keep track of thing then as precisely as I do now. (A phrase which could probably go on my tombstone.)

The show had the incredibly unwieldy name of The Church of Blasphuphmus (Not Jesus) Hour, and up until 2013, some variant of that name was the one I used, on the air, no less. I got a few complaints about the “anti-religious” sentiment, but very little, considering how long I kept the name around. Since then, the name has changed a few times, but Mid-Valley Mutations seems to suit best the nonsense I’ve created, and feels like a good roadmap, too. While the old name was informed by the religion kiisu & Colin made up (and I willingly began to join in on), I can’t help but acknowledge all that the SubGenius did for me, and for them, in giving us ideas, too.

Through the miracle of tape and digital archiving, there is actually a recording of my first broadcast. The recording that follows is a re-creation of it that I made, using the surviving tapes, playlists, and guesswork as to what was popular then, and in particular, what I remember hearing / playing on KWVA in those days. (So, the re-creation is only as good as that.) In those days, it wasn’t as practical for me to record and keep all the tapes necessary to archive my entire show, and I played a fair amount of music that I already owned in other formats. So when archiving my KWVA shows, I would cut out the songs I owned elsewhere, and just keep the other bits. I rarely saved commercials, and I regularly lost huge sections of shows. (Near the end of my KWVA run, I just stopped taping entirely, and have still not yet found the supposed recording I made of my “last” KWVA show, before I moved to Portland.)

Suffice it to say, the recording here is a pretty good reproduction of what my show was like back then, but also, is like a journal entry from that day, from that year, that I can look back on. Because I’ve recorded so many of them, and because there are plenty of specific places and dates associated with all of them, the really do act as a way I can “listen” to my own story, and get a sense of who I was and what I’ve become in 20 years. This first show is not “great,” but it is a nice slice of nostalgia, and it shows the potential of what was to come.

I’ll be including occasional other selections from the archives to bring out some of my favorite moments from my radio years. I’ve done a few shows that I think are very indicative of the fun I’ve gotten to have on the radio over the years, and I want to share those moments with you now that I’ve had a couple of decades to reflect on them.

Most importantly, thank you. Without an audience, there is no art. And without you, the listener, there is no show.

Be seeing you.

* * * * * *

KWVA Studio

The Beginning

HOUR 1

01.) Strychnine * Strychnine * Born to Loose * Industrial Strength Records
02.) Millionaire * ?? * ?? * ??
03.) Teenagers From Mars * Misfits * Collection * Caroline Records
04.) Christine * The Con Men * Live In-Studio * KWVA Radio
05.) Dicks Hate The Police * The Dicks * 1980-1986 * Alternative Tentacles Records
06.) Stereo Phasing Test / Television * Man… Or Astro-Man? * Experiment Zero * Touch & Go Records
07.) Cramp Stomp * The Cramps * Big Beat from Badsville * Epitaph Records
08.) Selector Pt. 2 * Dub Narcotic Sound System
09.) Buenos Tardes Amigos * Ween
10.) Fade In / Fade Out * Red Aunts

11.) Forest Fire * Dead Kennedys * Plastic Surgery Disasters * Alternative Tentacles Records
12.) BluBlud * KARP
13.) KWVA In-Studio Performance * The Outclass
14.) My Novel * Oswald 5-0
15.) Let’s Go Away * The Wipers
16.) Neat Neat Neat * The Damned * Damned Damned Damned * Stiff Records
17.) Justification * Against All Authority
18.) Streamline Yr Skull * New Bomb Turks

HOUR 2

19.) Embryodead (Aghast View Remix) * :wampscut:
20.) Shaved Women * Crass
21.) Praying Hands * Devo
22.) Caught In My Eye * Germs
23.) Smokin’ Banana Peels * Dead Milkmen
24.) Hexenzsene * Unwound
25.) Metanoia * King Missile
26.) The Way Of The World * Flipper

27.) Happy Hero * Negativland * Dispepsi * Seeland Records

28.) Kill All The White Man (Live) * NOFX * I Heard They Suck Live!! * Fat Wreck Chords
29.) Germfree Adolescents * X-Ray Spex
30.) Universal Corner * X
31.) Hustler * Blatz
32.) Gargoyle Waiting * …And You Will Know Us By The Trail Of Dead
33.) Persistent Vision * Rites of Spring
34.) Whirling Hall Of Knives * Butthole Surfers
35.) Treat Me Right * The Con Men * Live In-Studio * KWVA Radio

HOUR 3

36.) Titanium Expose * Sonic Youth * Goo * DGC Records
37.) Birthday Sandwhich * godheadSilo
38.) Theme * Los Mex Pistols * Unreleased Radio Promo Tape

39.) Runnin’ Through My Bones * Tight Bros. From Way Back When
40.) Ain’t No Woman Gonna Make A George Jones Outta Me * Daniel Johnston *
41.) This Is Radio Clash * The Clash * The Story of The Clash, Volume I * Epic Records
42.) Egg Raid On Mojo * Beastie Boys

43.) Excuse Me, But Pardon My French * Unwound * The Future of What * Kill Rock Stars Records
44.) Balalaika Gap * Camper Van Beethoven
45.) Born To Do Dishes * The Queers
46.) Sidewalk Warrior * Screeching Weasle
45.) Jello Biafra * Wesley Willis
46.) Hangin’ Tough * New Kids On The Block * Hangin’ Tough * Columbia Records

47.) False Start * Bikini Kill
48.) In My Mind * Crimpshrine
49.) Kasimir S. Pulaski Day * Big Black

04.) Tennessee Stud * Jimmie Driftwood * The Wilderness Road * RCA / Victor Records

Sunday Service: A Mutation Showcase

sundayservice00It’s Time For Something New.

Over the last year, Mid-Valley Mutations has evolved from a mere idea to a flourishing weekly radio program that features music and live performances you cannot (and will not) hear via other venues.  To that end, the program has featured a number of artists from all over Oregon, to highlight some of the incredible experimental acts that are right here in our own back yard, even if you don’t see them play very often.  Until now, that is.

To help further the cause, Mid-Valley Mutations is launching a monthly live showcase in conjunction with The Space Concert Club, to give you a chance to actually see these acts, in person.  Sunday Service will happen the last Sunday of every month, and offers a wide range of experimental artists that cover every kind of music: electronic, post-punk, noise, deconstructed folk, home-brewed and circuit-bent gear, and everything in-between.  “Experimental” can mean almost anything, and our hope is that we can offer small slices of this world, every month.

While the phrase “experimental” can conjure up wild (and often inaccessible) performances, Sunday Service will offer intimate shows with performers who are dedicated to their craft, create art that is personal and meaningful, and would like to share this work with the world around them.  While the music may be atypical, the intent is not to be obtuse or difficult.  These showcases are presented to feature the beauty and joy in creating music, and the freedom that comes with following your muse, where ever that might be. Sunday Service will not just feature music, but will offer a chance to meet these performers, and find out more about what they do in person.  These shows will be curated, organized and hosted by Mid-Valley Mutations mastermind Austin Rich

Our first gathering is March 26th, with the incomparable Guyve headlining the show, playing their first Salem gig in their 24 years as a group.  And in April, join us for a rare performance by traveler and recording artist Eric Hausmann, who has called Portland, Ipoh Malaysia and Pittsburgh his home in recent years, .  The spring and summer are full of surprises too, and we can’t wait to announce them once they are final.

Sunday Service Showcases are Free to the public, and are 21+.  The Space offers a full bar, vegan menu, and a positive, inviting atmosphere for discerning and excellent guests.

Join us for Sunday Service: A Mutation Showcase every month to hear the best in experimental artists you can’t hear anywhere else.

We’ve been waiting for you.  Join us.

 

Help Two ACRONYMS at Once: ACLU & KMUZ.

WTBC Getting Into The Act. It’s ACRONYMs all the way down…

Mid-Valley Mutations

a1373653999_10As many of you have probably heard, Bandcamp is donating 100% of their proceeds this Friday to the ACLU, which makes spending money on music that much easier to do. Additionally, KMUZ’s Pledge Drive is very soon, and with that in mind, 100% of the money I make on these same purchases will go to KMUZ’s Drive. Two great causes supported by your single purchase.

a1714948314_16You can get the entire bundle of all 21 of our releases at a discount for $16.25. Or, you can pick and choose what you’d like to purchase. Either way, there’s plenty of releases new and old that are worth investing in, and you can support both the ACLU and KMUZ, two acronyms that do a lot of good for our community.

We all love music, and we all love supporting good causes. Here’s a way to do both.

View original post

Halloween Spook-tacular, 2016!

img_20141025_110248While not the production it was last year, I wanted to quickly mention that we are celebrating Halloween the old fashioned way, and yes, that involves your podcast feed.

Mid-Valley Mutations is offering bonus episodes on Mondays and Wednesdays of October, for a total of 13 Holiday podcasts.  Four of these shows will air on KMUZ, as the shows do normally.  (10 PM, Friday nights.)  But there are nine gems, hand picked from our 13 years of producing Halloween Radio.  This is a chance to hear the many permutations our program has perpetrated, and gives you ample bonus material for that impending holiday party.

You can find all of our holiday entertainment using this handy link: midvalleymutations.com/category/halloween-spook-tacular

Or by enjoying the podcast feed, available in all your local podcatchers of choice.

Happy Holidays, from us, and Mid-Valley Mutations.

Be Seeing You.

#thankful4KMUZ: Here’s How You Can Show It

cropped-KMUZWebHeader_2015A#thankful4KMUZ: Here’s How You Can Show It

KMUZ, like many radio stations depends on listener contributions to continue generate excellent programming.  When you make a donation to our station, you are showing how #thankful4KMUZ you actually are, by contributing to a cause that is now been on the air for five years.  You can make a donation by going to kmuz.org and following the PayPal links, or by calling 503-990-6601 starting tomorrow – October 1st – and pledging your support to our station – all the way to October 7th.

As part of our usual Pledge Drive, anyone who donates $50 will receive a black KMUZ Mug.  Drink coffee in style, and show your support for your favorite community radio station.

temp-coverFor listeners of Mid-Valley Mutations, we like to sweeten the deal.  For anyone who makes a donation of any amount to KMUZ, we will give them a digital copy of our new album, Mid-Valley Mutations Vol. 1.  This is a collection of some of the live moments from our program since May of this year.  This includes live performances by Paco Jones, devils/club, Guyve, Entresol, Entrail & Fiasco, a fine gathering of artists that have all contributed to this program.  And all you have to do is make any kind of donation you KMUZ you can afford.  I will e-mail you your digital album as a thank you gift for listening to the show.

a1714948314_16For contributions of $25 or more, you will get to choose from one of three gifts, curtesy of Personal Archives, No Part Of It & WTBC: Wanting To Be Cool In Beautiful Anywhere, Anywhen, including albums by Thollem, Bob Bucko Jr.Sex Funeral, Illusion of SafetyArvo Zylo / Dental Work and physical copies of The Shindig Shakedown, a gift that was largely available at Austin’s 40th Birthday Party.

For a contribution of $35 or more, you will get a vinyl copy of the Blood Rhythms Assembly LP, with a hand-made cover.  There is a limited number of this LP, so please make your contribution soon.

I could go on and on about how important these Pledge Drives are, so let me just say a few more words.  Without listener donations, KMUZ may have trouble paying the rent in the future.  We would not only loose all the great shows, but the physical space we use to make all of this happen.  This is why we need your money.  Radio is loose ground every day, and for us to have made it five years is quite impressive.  But to make it much longer, we’ll need money, and we’ll need your support.

If everyone who listens to my program were to contribute even $5, that would be enough to keep Mid-Valley Mutations and KMUZ on the air.  Let’s hope that we can raise that much – and more.  Make your donation now, and mention that you would like to support Mid-Valley Mutations (and which perk you are interested in).  Let’s make radio in the mid-valley powerful again.

 

A Pledge Drive Request (That You Won’t Feel Bad About Fulfilling)

cropped-KMUZWebHeader_2015AFor many years now I have been urging friends and family to donate to the radio station I happened to be volunteering at when I made that year’s particular request.  And, it is easy enough to see this as yet another plea to add to the many I have made in the past.  Combine this with NPR’s regular pledge drive’s, your kid’s trying to raise money for band, the homeless guy that hits you up for change, and you are pretty consistently being asked to donate money to something where you are not getting a nice tasty treat or some new gadget that you can play with.

I understand.  You are strapped for cash, and we are thankful that you listen at all.  For those of you who are not doing that well, financially, this message is not for you.  We urge you to keep listening, and we promise to continue to deliver incredible programming the way we do normally.  And, during Pledge Drive, you can expect even more great radio than normal.  Everyone goes the extra mile to make great radio during the drive, and this is a great time to listen, no matter what.

But, for those of you with a little extra money, please, consider donating to KMUZ and keep Community Radio funded.

KMUZ’s Winter Pledge Drive is February 6th – 12th, and if you enjoy community radio made in the mid-valley here in Oregon, then we urgently need your help in keeping this station on the air.  Not only do I volunteer in the office at KMUZ, but I’m a regular panelist on their Geekly Update program, that airs every Sunday at 2 PM, where we talk about nerdy topics and a host of other subjects that appeal to the nerd and geek in us all.  KMUZ also offers a number of great music programs, as well as unique talk shows that you can’t find anywhere else.

Unlike most entertainment, community radio is entirely funded by listeners.  No one pays us to come in and do this.  No company is coming in every month to keep the lights on.  We don’t have wealthy donors to help us stay in business.  The only time we get any money is because people like you decide to offer your help directly and give us the financial support that keeps community radio going.  There is no well of money beneath our station, and no celebrity philanthropist offering to make our dreams come true.  Instead, we turn to the people who count on listening to community, and rely on us to give them shows that they can’t find anywhere else.

These days, between a Netflix subscription, the comic books you pick up weekly, the movie you see with your partner every so often, those expenses add up.  We realize that even a small donation is asking a lot.  But, consider putting us on your list of expenses, next to Gas and cable.  Not only will you be keeping community radio up and running in an area that gets no other funding, but you will be making a difference to the lives of us, our listeners, and the very idea of community radio as a whole.

If supporting KMUZ Radio sounds like something you’d like to do, please consider following this link and make a donation.  You can also call us at 503.990.6101 during the drive itself – February 6th – 12th – and support us directly in a way that means so much to those of us who give our time and energy to this kind of endeavor.

Radio has been an important part of my life, so much so that I’ve dedicated the better part of 20 years to it.  If you have been touched by any of it, and would like to help out, then this is the way you can do it, now.

Please, donate to KMUZ, and keep Community Radio in the mid-valley on the air.

Do it!